It’s almost as if anyone involved in this project expected listeners to not get past the first couple songs.' Soren Baker, writing for the Los Angeles Times, commented that 'he normally assertive and interesting Philadelphia rapper flows like a sloth on nearly every cut of his second album, failing to elicit much excitement despite the solid, hard-core production.' Robert Christgau graded the album as a 'dud', indicating 'a bad record whose details rarely merit further thought.' Commercial performance AllMusic writer Bret Love commended the production for remaining consistent and Sigel's persona of a street smart hustler but found it running its course as the album continued, concluding that 'Sigel's sophomore effort isn't so much an artistic step forward as it is a step sideways.' HipHopDX writer Affrikka said that despite the first two tracks, the record starts to fall off into mediocre un-originality, saying that 'Overall, the experience leaves you wanting more from the executive producing credit that Jay-Z takes.
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